Monday 27 February 2017

Jean-Auguste-Dominique Ingres – part 3

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography see part 1. For earlier works see parts 1 and 2 also.

This is part 3 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:



1814 Madame de Senonnes
oil on canvas 84 x 106 cm
Musée des Beaux-Arts, Nantes, France

1814 Madame Haudborg-Lescot
graphite on light grey laid paper 31.2 x 24.1 cm
de Young - Legion of Honour Fine Arts Museums of San Francisco, CA

1814 Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle
graphite on off-white paper 19.3 x 14.3 cm
Metropolitan Museum of Art, New York

1814 Marquis Allesandro d'Azzia
graphite and white gouache on tan wove paper laid on cardboard 26.8 x 21.1 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1814 Pope Pius VII in the Sistine Chapel
oil on canvas 74.5 x 92.7 cm
National Gallery of Art, Washington, DC

1814 Portrait of a Man
graphite 21.8 x 16.6 cm
Metropolitan Museum of Art, New York

1814 Portrait of a Seated Lady
graphite 29.2 x 20.6 cm
Metropolitan Museum of Art, New York City


1814 Raphael and the Fornarina

This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s Madonna of the Chair, seen against the back wall, where she resembles the artist’s lover.


1814 Raphael and the Fornarina
oil on canvas 64.8 x 53,3 cm
Fogg Museum, Harvard Art Museums, Cambridge, MA

1814-40 Raphael And Fornarina
oil on canvas
Columbus Museum of Art, Ohio

1814c Study for "Raphael and the Fornarina"
graphite on white wove paper 25.4 x 19.7 cm
Metropolitan Museum of Art, New York City

1814c Study for "Raphael and the Fornarina"
graphite on white wove paper 37 x 26.2 cm
Fogg Museum, Harvard Art Museums, Cambridge, MA


1814 The Architect Guillaume Edouard Allais
chalk 21.1 x 16 cm
Private Collection

1814-16 Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes
graphite with stumping on tan wove paper 18.9 x 21 cm
Art Institute of Chicago, IL

1814c Don Pedro of Toledo Kissing the Sword of Henri IV
oil on panel 49 x 41 cm
Private Collection

1814c Madeleine Ingres, nee Chapelle
oil on canvas 68 x 54 cm
Sammlung E.G.Bührle, Zurich, Switzerland

1815 Alexandre Lethiere Family

1815 Frau Reinhold and Her Daughters, Susette-Marie and Marie-Auguste-Friederike
graphite 303 x 22.5 cm
The Morgan Library and Museum, New York City

1815 Frederic Sylvester Douglas
lithograph
National Gallery of Art, Washington, DC

1815 Guillaume Guillon Lethière ( 1760-1832 )
graphite on wove paper 28 x 23.1 cm
The Morgan Library and Museum, New York City

1815 Jean Pierre Cortot
33 x 41.5 cm

1815 Jean-Joseph Fournier
graphite on wove paper 24.2 x 16.2 cm
Metropolitan Museum of Art, New York

1815 John Russel, Sixth Duke of Bedford

1815 Joseph-Antoine de Nogent
oil on panel 47 x 33.3 cm
Fogg Art Galler, Harvard Art Museums, Cambridge MA

1815 Madame Alexandre Lethière, née Rosa Meli, and Her Daughter, Letizia
graphite on tracing paper 23.1 x 20.2 cm
Metropolitan Museum of Art, New York

1815 Madame Charles Hayard and Her Daughter Caroline
graphite on white wove paper 29.2 x 22 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1815 Mademoiselle Jeanne Hayard

1815 Maréchale Kutusov
graphite on paper 13.2 x 8.7 cm
The Fitzwilliam Museum, Cambridge, UK

1815 Portrait of a Russian General
watercolour 29.6 x 22 cm
The State Hermitage Museum, St. Petersburg, Russia

1815 Portrait of the Family of Lucien Bonaparte
graphite on white wove paper 41.2 x 53.2 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1815 The Duke of Alba Receiving the Pope's Blessing in the Cathedral of Sainte-Gudule, Brussels
pen and brown ink and brown wash heightened with white gouache, with red and black chalk and graphite 43 x 52.9 cm
J. Paul Getty Museum, Los Angeles

1815 The Hon. Frederick North
graphite 47 x 41 cm
Art Gallery of New South Wales, Sydney, Australia

1815-17c Portrait of a Lady
graphite on wove paper 27.6 x 19.9 cm
Museum of Modern Art, New York

1815c Portrait of a Young Woman
graphite 28 x 20.7 cm
The State Hermitage Museum, St. Petersburg, Russia

1816 Alexander Baillie
graphite on paper
Private Collection

1816 Gabriel Cortois de Pressigny
etching
National Gallery of Art, Washington, DC

1816 Lady Glenbervie, née Catherine Anne North
graphite on wove paper 21 x 16.5 cm
The Morgan Library and Museum, New York

1816 Lady Mary Cavendish-Bentinck
graphite 21.9 x 17.1 cm
Metropolitan Museum of Art, New York

1816 Lord Graham
graphite 40.5 x 28.3 cm
J. Paul Getty Museum, Los Angeles, CA

1816 Mademoiselle Henriette Ursule Claire, Maybe Thevenin, and Her Dog Trim

1816 Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome
graphite on paper 30.4 x 22.4 cm
The Fitzwilliam Museum, Cambridge, UK

1816 Mrs Charles Badham
graphite on wove paper 26.3 x 21.8 cm
National Gallery of Art, Washington, DC

1816 Mrs John Mackie
graphite on paper 17 x 16.5 cm
© Victoria & Albert Museum, London

1816 Mrs. George Vesey and Her Daughter Elizabeth Vesey, later Lady Colthurst
graphite and white gouache on white wove paper 29.9 x 22.4 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1816 Sylvester Douglas, Lord Glenbervie
graphite on wove paper 21 x 16.4 cm
The Morgan Library and Museum, New York City

1816 The Tomb of Lady Jane Montagu
pen and brown ink and watercolour over graphite 44.5 x 55.8 cm
National Gallery of Victoria, Melbourne, Australia

Friday 24 February 2017

Jean-Auguste-Dominique Ingres – part 2

1804 Self-Portrait ( aged 24 )
oil on canvas 78 x 61 cm
Musée Condé, Chantilly, France

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy.

For a full biography, and for earlier works, see part 1 also.

This is part 2 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres:


1808-09c Docteur Jean-Louis Robin
graphite with stumping on ivory wove paper 28.4 x 22.3 cm
Art Institute of Chicago, IL

1808-48 Venus Anadyomene
oil on canvas 193 x 92 cm
Musée Condé, Chantilly, France

1809 Ann-Julie Mallet
graphite on paper 29 x 19.6 cm
Private Collection

1809 Auguste-Jean-Marie Guénepin
graphite on wove paper 21 x 16.3 cm
National Gallery of Art, Washington, DC

1809 Charles François Mallet, Civil Engineer
graphite on cream wove paper 26.8 x 21.1 cm
Art Institute of Chicago, IL

1809 Merry-Joseph Blondel ( 1781-1853 )
graphite on white paper 17.6 x 14 cm
Metropolitan Museum of Art, New York City

1810 Charles Hayard and His Daughter Marguerite
Graphite
The British Museum

1810 Marcotte d'Argenteuil
oil on canvas 93.7 x 69.4 cm
National Gallery of Art, Washington, DC

1810-20 Madame Rhode-Rhoda?
graphite on pale buff wove paper 20.6 x 16.9 cm
Metropolitan Museum of Art, New York City

1810c Joseph-Antoine Moltedo ( born 1775 )
oil on canvas 75.2 x 58.1 cm
Metropolitan Museum of Art, New York City

1810c The Architect Jean-Baptiste Desdeban
oil on canvas 63 x 49 cm
Musée des Beaux-Arts et d'Archéologie de Besançon, France

1810c The Sculptor Paul Lemoyne
oil on canvas 46 x 35 cm
Nelson-Atkins Museum of Art, Kansas City, MO

1810s-1830s A Sleeping Odalisque
oil on canvas
© Victoria & Albert Museum, London

1811 Baron Jacques Marquet de Montbreton de Norvins

1811-12 Baron Jacques Marquet de Montbreton de Norvins
oil on canvas mounted on panel 97.2 x 78.7 cm
The National Gallery, London


1811 Charles-Joseph-Laurent Cordier
oil on canvas 90 x 69.5 cm
Musée du Louvre, Paris

1811 Edme Bochet
oil on canvas 94 x 69 cm

1811 Guillaume Guillon Lethière
graphite on white wove paper 22.4 x 16.5 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1811 Hippolyte-François Devillers
oil on canvas 78.5 x 96.5 cm
Private Collection

1811 Jupiter and Thetis
oil on canvas 32 x 260 cm
Musée Granet, Aix-en-Provence, France

1811 Madame Panckoucke
oil on canvas 68 x 93 cm

1811 Portrait of a Man
graphite on white wove paper 20.8 x 16 cm
Philadelphia Museum of Art, PA

1811 The Dream of Ossian
graphite, black and white chalk on green-blue washed paper 26 x 20.5 cm
National Galleries of Scotland, UK

1811 Tu Marcellus Eris:


1811 Tu Marcellus Eris
oil on canvas 307 x 326 cm
Musée des Augustins, Musée des Beaux-Arts de Toulouse, France
1850 Study for "Tu Marcellus Eris"
watercolour and white gouache over graphite and black crayon on tracing paper 38.5 x 33 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA


1809-19c Virgil Reading the Aeneid to Augustus, Livia, and Octavia
pen and ink, graphite, grey watercolour washes, heightened with white gouache, and conté crayon on blue paper 38.1 x 32.3 cm
Metropolitan Museum of Art, New York City

1812c Study for "Virgil Reading the Aeneid to Augustus"
graphite with white chalk on brown wove paper 31.6 x 25 cm
Fogg Museums, Harvard Art Museums, Cambridge, MA

1812c Study of the Head of Octavia in "Virgil Reading the Aeneid to Augustus"
graphite and white chalk on brown wove paper 15.4 x 21.8 cm
Fogg Museums, Harvard Art Museums, Cambridge, MA
                                      
1812 Comtesse de Tournon
oil on canvas 92.4 x 73.2 cm
Philadelphia Museum of Art, PA

1812 Count Adolphe de Colombet de Landos
graphite on white wove paper 27.5 x 20.8 cm
Fogg Art Galler, Harvard Art Museums, Cambridge MA

1812 Hippolyte-François Devillers ( 1767-1837 )
graphite on wove paper 22.8 x 16.6 cm
The Morgan Library and Museum, New York City

1812 Mademoiselle Albertine Hayard
graphite on paper 21.5 x 15.1 cm
National Galleries of Scotland, UK

1812 Philippe Mengin de Bionval
graphite on wove paper 25.6 x 19.6 cm
National Gallery of Art, Washington, DC

1812 Romulus, Conqueror of Acron
tempera on canvas 276 x 530 cm
Musée du Louvre, Paris

1812 Ingres in his studio, painting "Romulus, Conquerer of Acron"
56.6 x 46.4 cm
Musée Bonnat, Bayonne, France


1812-25c Two Studies of Virgil
graphite on 5 joined sheets of paper 43.8 x 30.9 cm
National Gallery of Art, Washington, DC

1812c Madame Hayard, née Jeanne Suzanne Alliou
graphite on white wove paper 26.6 x 18 cm
Fogg Art Gallery, Harvard Art Museums, Cambridge MA

1813 Mlle. Joséphine Lacroix, first cousin of Ingres' wife
graphite on paper 25.9 x 20 cm
The Morgan Library and Museum, New York City

1813 The Dream of Ossian
oil on canvas 275 x 348 cm
Musée Ingres, Montauban, France

1813-14 The Betrothal of Raphael and the Niece of Cardinal Bibbiena
oil on paper laid on canvas 59.1 x 46.5 cm
The Walters Art Museum, Baltimore, MD

1813c Princess Letizia Murat
graphite on white wove paper 26.1 x 17 cm
Fogg Museums, Harvard Art Museums, Cambridge, MA

1814 Caroline Murat, Queen of Naples
oil on canvas 92 x 60 cm
Private Collection

1814 Françoise de Rimini
oil on canvas  35 x 28 cm
Musée Condé, Chantilly, France


1814 La Grande Odalisque
oil on canvas 91 x 162 cm
Musée du Louvre, Paris

1824-34 ( Ingres and Workshop ) Odalisque in Grisaille
oil on canvas 83.2 x 109.2 cm
Metropolitan Museum of Art, New York City

1825 Odalisque
lithograph
National Gallery of Art, Washington, DC